I am interested in history, elusive narratives, and difficult-to-grasp surfaces and edges, from mirrors and maps, to water and cliff edges. I have an eclectic approach to working, finding media to suit different ideas — from wax, graphite powder or smoke, to plaster, paint, installation and video. One of my drawings from the Smoke Series was shortlisted for the Trinity Buoy Wharf Drawing Prize 2018. Work in progress (Histos) comprises paintings, objects and moving image related to the agency of women, inspired by The Odyssey. No matter what the ideas underpinning my work, ultimately I am led by the physicality of the materials.
Earlier work questioned the specularity of thought and the objectivity we seek when looking in mirrors or making maps to understand our place in the world. This resulted in 'blind mirror' plaster sculptures; graphite and wax panel paintings; an octagonal chamber for contemplation , the walls constructed from graphite-covered panels (The Cabinet of Imagined Mirrors); a series of cartographical curiosities and handmade compasses (Lessons in Cartography), paintings of isolated buildings and individuals "on the edge", represented by lighthouses and caravans; and a film and text-based installation based on experiences of flooding (Sandbag Haiku).
My interest in text and the importance of titles is probably explained by a first degree in English. Born and brought up in South Wales, I worked as an editor in London, Glasgow and Edinburgh, spending 12 years in Scotland. While there I pursued my art practice at the 369 Gallery, Edinburgh, tutored by such artists as Callum Innes, Rose Frain and Moyna Flannigan. I later studied painting at the University of Brighton, joining MAZE Studio Group, Brighton while working as a Visiting Lecturer. I now combine my practice with freelance Artist Educator work and working FoH at the Towner Gallery, Eastbourne.
Earlier work questioned the specularity of thought and the objectivity we seek when looking in mirrors or making maps to understand our place in the world. This resulted in 'blind mirror' plaster sculptures; graphite and wax panel paintings; an octagonal chamber for contemplation , the walls constructed from graphite-covered panels (The Cabinet of Imagined Mirrors); a series of cartographical curiosities and handmade compasses (Lessons in Cartography), paintings of isolated buildings and individuals "on the edge", represented by lighthouses and caravans; and a film and text-based installation based on experiences of flooding (Sandbag Haiku).
My interest in text and the importance of titles is probably explained by a first degree in English. Born and brought up in South Wales, I worked as an editor in London, Glasgow and Edinburgh, spending 12 years in Scotland. While there I pursued my art practice at the 369 Gallery, Edinburgh, tutored by such artists as Callum Innes, Rose Frain and Moyna Flannigan. I later studied painting at the University of Brighton, joining MAZE Studio Group, Brighton while working as a Visiting Lecturer. I now combine my practice with freelance Artist Educator work and working FoH at the Towner Gallery, Eastbourne.