The Cabinet of Imagined Mirrors
The slightest emotion is all it takes
So that everything having been kept hidden bursts forth
(Pierre Nicole, 1625–95)
So that everything having been kept hidden bursts forth
(Pierre Nicole, 1625–95)
Visitor in the Cabinet
Digital collage of the Cabinet imagined in the Sir John Soane Museum, London
The Cabinet of Imagined Mirrors’ (2003) is an octagonal room (3. m dia., each panel H2.4m, W1.2m) whose walls are covered in a soft reflective surface produced by polishing powdered graphite and wax directly onto panels. In its first manifestation, a gilt-edged convex mirror stood in the centre of a temporary pale blue floor; the ceiling was draped in black muslin, through which could be seen a small ornate chandelier. It was influenced by seventeenth-century mirrored rooms created for pleasure and conversation, and Francesco de Medici's study in Florence, referred to as a ‘cage of imagined mirrors’.
This space was originally intended to enable solitary contemplation. It was built during the 2003 Brighton Fringe Festival, as part of the inaugural public residency Watch this Space, at the Phoenix Gallery Brighton, It was later shown lit by candlelight, during the Liverpool Biennial Independents (2006). Although this is a three-dimensional construction, this piece acts as a surround drawing and is connected to an earlier series of 'mirror' works using graphite, wax, and plaster. It has not been viewed since 2006 and is really still a work in progress. There is potential for it to be placed in an historic setting and for the outside to be further developed.
This space was originally intended to enable solitary contemplation. It was built during the 2003 Brighton Fringe Festival, as part of the inaugural public residency Watch this Space, at the Phoenix Gallery Brighton, It was later shown lit by candlelight, during the Liverpool Biennial Independents (2006). Although this is a three-dimensional construction, this piece acts as a surround drawing and is connected to an earlier series of 'mirror' works using graphite, wax, and plaster. It has not been viewed since 2006 and is really still a work in progress. There is potential for it to be placed in an historic setting and for the outside to be further developed.